
Photography, when studied as a language, is perhaps the most impactful and purest form of communication: it trandscends verbal and written language, objectifies both time and space, and is at the same time both art and fact; both beauty and information.




Man Ray was an American artist who spent most of his career in Paris, France. Categorized as a modernist, he was a significant contributor to both the Dada and Surrealist movements. He is best known in the art world for his avant-garde photography, namely, the technique that bears his namesake, the ‘Rayograph’.”
Man Ray’s interpretation of the image making technique called a Pictogram was indicative of the “anti-art” spirit of Dadaism, a cultural movement that peaked during WW I. Like many Dada works of art, Man Ray’s Rayographs instilled a sense of parody. By making photographs without a camera, he begged the cultural and artistic questions to redefine what a “photograph” is, and how they are made.
Printed in a darkroom on photographic paper, a photogram is created by placing opaque objects on the unexposed paper before using a photographic enlarger or other controlled light source to expose the uncovered paper, creating a silhouetted print.
Man Ray also produced major works in a variety of media and considered himself a painter above all. He was also a renowned fashion and portrait photographer, and exuded the quintessential eclecticism of artists persona, counting many influential Dada and Surrealist artists of the era as friends: Marcel Duchamp, Salvador Dali, and Georges Braque.
Slideshow: Man Ray Images
OTHER LINKS
Official Man Ray Licensing Archive
George Eastman House Still Photograph Archive
Handout: Basic Scanning Tips
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